Knowledge management Essay Example | Topics and Well Written Essays - 1500 words

Knowledge management - Essay Example It can be said that the individual or individuals gain the knowing from prior information. Thus, it can be said that the individual or the individuals did not just come across the information, but they sought the information with intent or just for the sake of knowing. Nevertheless, knowledge is not the ultimate product in knowledge management practices and standards in an organisation. Knowledge is just but the beginning for more exploits. Hence it can be said that, in knowledge management, an organisation is trying to utilise knowledge to improve what it is doing (Nonaka & Krogh, 2006). With the understanding of knowledge, knowledge management can be evaluated. One of the most fundamental resource that an organization can have is a knowledgeable workforce. Hence, the success of an organization can be said to be dependent on how well the organisation is able to use the knowledge resource it has, its ability to develop novel knowledge, and how well it is able to share the knowledge within it throughout the whole organisation (Nonaka & Krogh, 2006). Most importantly, knowledge management involves putting into practice the combined knowledge of all the persons under it in order to attain certain aims. Knowledge management does not necessarily purpose to manage this combined knowledge, it also purposes to selectively manage the knowledge that is vital to an organisation. Knowledge management also involves that the workforce in the organisation has all the knowledge it requires, at the right time and at the right place. It is important to ask, why is knowledge management required? Knowledge management is needed for a number of reasons. In the modern world, there has been an increased speed of variation in the present organisations and the communities in the globe collectively. Hence, knowledge management is needed as it identifies that almost all organizations are made up of work that involves knowledge. Not that the manual

Banks Deal with Documents and Not with Goods, Services or Performance Essay

Banks Deal with Documents and Not with Goods, Services or Performance to Which the Documents May Relate' (UCP 600, Article 5) - Essay Example Further risks are the economic climate in both the importing and exporting countries and the political stability of the countries, which affects the sale transaction and the degree of trust and confidence of each party in the other. As a result, banking regulations serve to lower or alleviate the risks that banks are exposed to and any disruptions and interruptions emanating from adverse economic and banking conditions. Additionally, banking regulations reduce the criminal risks to which banks are exposed, not to mention promoting and ensuring the confidentiality of banks.4 To reduce risks in international sales, in terms of the payment issue, the seller and buyer usually agree to settle through letters of credit. This essay seeks to explore Article 5 of the Uniform Customs and Practice for Documentary Credits (UCP 600) 2007, which reads as follows: â€Å"Banks deal with documents and not with goods, services or performance to which the documents may relate†. In fact, this Art icle is usually explored in regard to the letters of credit principles. Thereby, in the first part of this essay, the concept of letters of credit in the light of the UCP 600 will be revealed. Subsequently to that, the principles of letters of credit, which are autonomous and conform to strict compliance, will be discussed in the light of relevant cases. Finally, the way that fraud affects letters of credit will be examined in the light of relevant cases. 1. Letter of Credit and the UCP The importance of letters of credit to the current commercial society is evidenced by the many rules established to regulate and control its usage. These rules are called the Uniform Customs and Practice of Documentary Credits (UCP), which were created by the International Chamber of Commerce (ICC).5 Several commentators tend to accept this unification, such as Royston Goode, who describes it as â€Å"the most successful harmonizing measure in the history of international commerce†.6 In fact, the first version of these rules was drafted by the ICC in 1929. The rules were revised many times until the last version, UCP 600, was issued in 2007 and came into force on 1 July, 2007.7 Even though the UCP 600 regulates letters of credit, the legal status of these rules will not be considered binding until they are incorporated into the two parties’ contract, as it is mentioned in Article 1 of the UCP 600.8 Letters of credit, which are also known as documentary credit or banker’s commercial credit, is defined in Article 2 of the UCP 600 as â€Å"any arrangement, however named or described, that is irrevocable and thereby constitutes a definite undertaking of the issuing bank to honour a complying presentation†. According to this definition, a letter of credit has two characteristics. First, it is an irrevocable credit, which means that it cannot be amended or cancelled when it has already been communicated to the seller; under the previous UCP 500, credits co uld be

Auerbach Enterprise Essay Example for Free

Auerbach Enterprise Essay â€Å"Auerbach Enterprises uses machine hours as the cost driver to assign overhead costs to the air conditioners. The company has used a company-wide predetermined overhead rate in past years, but the new controller, Bennie Leon, is considering the use of departmental overhead rates beginning with the next year. â€Å"(Schneider, 2012). One product is affected more than the other by use of departmental rates rather than companywide rate. â€Å"Companies can choose to use the accounting job order costing method when they have a single product line or numerous products to manufacture. However, it is less costly and less time-consuming if they elect to use process costing when calculating the manufacturing of a single product line. With similarities and differences, there are also pros and cons that come with these costing methods. Every company is unique and what may work well in a car repair shop, may not work in an automobile company. When we think about the similarities between job order costing and process costing we can agree that they both monitor three specific elements, which are direct material, direct labor and manufacturing overhead. In addition the flow of costs in each method is essentially the same when you look at both accounts. † (Huntington, 2013) Radiator Parts Fabrication equal Overhead Costs divided by Machine Hours $80,000 equal $8 per machine hour 10,000 Radiator Assembly, Weld, and Test equal $100,000 equal $5 per machine hour 20,000 Compressor Parts Fabrication equal $120,000 equal $24 per machine hour 5,000 Compressor Assembly and Test equal $180,000 equal $4 per machine hour 45,000. The department overhead rates included the compressor assembly and test department has the highest overhead costs with the most machine hours that total $4 per machine hour. The compressor parts fabrication department yields the highest cost per machine hour at $24. †Job order costing gives managers the advantage of being able to keep track of individuals and teams performance in terms of cost-control, efficiency and productivity. Process costing, on the other hand, gives managers the advantage of being able to ascertain the same qualities in entire departments and compare performance over time. (Ingram, D 2013) The next feasible objective for the company is to determine the company wide overhead rate using machine hours as the cost driver. Company Wide Overhead Rate equal Forecast Overhead divided by Expected Machine Hours Overhead Rate equal $480,000 equal $6 per machine hour 80,000. Company Wide Rate: Direct Material Costs x Batch Size plus Direct Labor Costs x Batch Size Maxiflow: Alaska: 135 x 20 equal 2700 110 x 20 equal 2200 75 x 20 equal 1500 95 x 20 equal 1900 equal $4200 per batch equal $4100 per batch Departmental Rate. Direct Materials Costs plus Direct Labor Costs divided by Each Department Hour Maxiflow: 135 plus 75 equal $210 Radiator Parts Fabrication: 210 divided by 28 equal $7. 50 per batch Radiator Assembly, Weld, and Test equal 210 divided by 30 equal $7 per batch Compressor Parts Fabrication: 210 divided by 32 equal $6. 60 per batch Compressor Assembly and Test: 210 divided by 26 equal $8. 10 per batch Alaska: 110 plus 95 equal 205 Radiator Parts Fabrication: 205 divided by 16 equal $12. 80 per batch Radiator Assembly, Weld, and Test: 205 divided by 74 equal $2. 0 per batch Compressor Parts Fabrication: 205 divided by 8 equal $25. 60 per batch Compressor Assembly and Test: 205 divided by 66 equal $3. 10 per batch. There was only a $100 difference between Maxiflow and Alaska when it came to company-wide rates per batch. On other hand, the departmental rates between Maxiflow and Alaska were significantly different. Maxiflow had the cheaper departmental costs per batch with an average of $7. 30 per batch compared to $11. 05 per batch with Alaska. to determine the companywide and departmental costs per unit of Maxiflow and Alaska. Company-Wide Rate: Total Cost per Unit equal direct material Costs plus Direct Labor Costs divided by Number of Units Maxiflow. Direct Materials equal Alaska: 135 Direct Labor Costs equal 75 210 $415 plus $480,000 divided by 40 equal $12,010. 38 per unit 110 plus 95 equal 205 210 plus 205 equal $415 Departmental Rate: Radiator Parts Fabrication: $80,000 plus $415 divided by 40 equal $2010. 38 per unit Radiator Assembly, Weld, and Test: $100,000 plus 415 divided by 40 equal $2510. 38. Compressor Parts Fabrication: $120,000 plus 415 divided by 40 equal $3010. 8 Compressor Assembly and Test: $180,000 plus 415 divided by 40 equal $4510. 38. So, it seems that the total costs per unit for the company-wide rate is slightly less per unit. The company-wide rate for total cost per unit is $12,010. 38, while the total cost per unit for each department is $12, 041. 52. â€Å"Auerbach Enterprises manufactures air conditioners for automobiles and trucks manufactured throughout North America. The company designs its products with flexibility to accommodate many makes and models of automobiles and trucks. The company’s two main products are MaxiFlow and Alaska. †(Schneider, 2012). The reduction of overhead expenses is one of the sparse areas of corporate cost control that receives few to no attention from management. However the savings and profit improvement can be surprising. Reviewing the data for Auerbach management would be better suited to continue using company-wide rates. The perception by managers of the relative importance of costs may be determined by the nature.

Geographic Major and Minor Faults of Pakistan

Geographic Major and Minor Faults of Pakistan Introduction: Pakistan is geographically situated in such a way that it consist of parts of two major and one minor plate namely Indian plate Eurasian plate Arabian plate Here Indian and Eurasian plates are major plates while Arabian plate is a minor plate which lies in the southern most side of Pakistan, while Indian plate is present on the eastern part and Eurasian plate includes the north western part of Pakistan. Therefore triple junction point is located within Pakistan (a point where three plate boundaries meet). Pakistan is a host of several minor and five major faults which runs across it they are due to the previous tectonic events which occurred in this zone the major and most important event which resulted in the formation of the five major faults and is perhaps the reason of minor faults and is sill affecting the geology and tectonics of Pakistan is the famous Himalayan orogeny which itself formed as a result of Indian and Eurasian plate collision in about 20 million years ago because of the continental – continental collision . Basically Indian plate which was situated within the Australian plate in gondwanaland and started moving towards north in a counter clockwise direction Neo Tethys Ocean was present between Eurasian and Indian plate a segment of this ocean started subducting beneath the Tethys ocean on its either sides/boundaries creating intra-oceanic island arcs due to the northward movement of Indian plate this arc collided with the southern Eurasia forming the continental-magmatic arc suture zone because of this collision folding thrusting occurred forming two major blocks Karakorum block and the kohistan ladakh arc (KIA) separated by MKT Main Karakorum Thrust. During the same time period rest of the Tethys ocean subducted beneath the Eurasian plate which afterwards caused the collision of Indian and Eurasian plate forming Himalayas this again resulted in the formation of thrust faults and fold the first major thrust fault which was formed here was the MCT (its branch in Pakistan is called MMT) th is was north wards dipping later on after its formation stresses shifted southwards and another active fault called MBT (Main Boundary Thrust) was formed by the under thrusting of rocks beneath the MCT, Later on stresses shifted further southwards leading to the formation of SRT. Major Faults of Pakistan Major Faults of Pakistan are as follows:- The Main Karakoram Thrust Fault(MKT) The Main Mantle Thrust Fault(MMT) The Main Central Thrust Fault(MCT) Salt Range Thrust Fault(SRT) The Main Boundry Thrust(MBT) Chamman Transform Fault(CTF) The Main Karakoram Thrust Fault (MKT):- The main Karakorum thrust fault was formed in cretaceous period (Coward et al. 1986) in the result of the collision between Kohistan Ladakh Arc and the Karakoram block about 70-100mya. Later on it was declared as a North Suture (Pudsey et al. 1985.) The Main Mantle Thrust Fault:- It is a regional thrust that is dipping in the north direction and it seperates the Indian plate from the Kohistan Island Arc. Area covered by MMT is 400 sq. km approximately and passes through the districts of Diyamir, Kohistan, Swat, Dir and Bajaur with a total length of 420 miles. It is extended from the region of Khar (Bajaur Agency) in west to the region of Naran in the east. Composition of MMT is more than 15 km thick Proterozoic gneisses and schists (Madin, 1986). The Main Central Thrust (MCT):- â€Å"The  Main Central Thrust  is a thrust fault which is dipping in a north direction and covers about an area of 2200km along the Himalayan mountain range. This thrust fault was first described by Heim and Gansser (1939) when they noted a contact between terrigenous carbonate rocks and thick overlying metamorphic rocks, mica schists and gneiss (Sinha 1987). It marks the boundary between the higher and lesser Himalayan mountains. It is a longitudinal thrust fault, and in many places is marked by a several kilometer thick zone of deformed rocks with varying degrees of shearing and imbrication (Sorkhabi 1999). Mylonitization and retrograde metamorphic assemblages also occur here. The MCT is the actual suture between Gondwanaland (India) and the Proto-Tehtys microcontinent to the north (Spikantia 1987). Movement along the fault has brought crystalline rock from the Higher Himalayan zone on top of Lesser Paleozoic sediments in the form of klippen in synclines (Windley 1995). These units are called the Outer Crystallines, as noted above on the map. Outer crystalline rocks, garnet and kyanite-bearing, were exposed by slip along the MCT followed by uplift and erosion of 10km of overlying rock (Molnar 1986).† The Main Boundary Thrust (MBT):- The Main Boundary Thrust is a different and paramount tectonic peculiarity along the whole Himalayan Belt. The MBT circles around the Hazara syntaxial zone. It speaks to the real zone of late disfigurement and the biggest seismic tremors. The MBT extends from the Afghan outskirt, and can be followed about constantly to the Assam through Eastern India. It is the absolute most strong tremor source in the Himalayas. Islamabadrawalpindi region is spotted at a nearby separation south of the western appendage of the MBT. MBT and MMT are for the most part considered to have distinctive sections while ascertaining the related seismic danger. The hanging wall of MBT carries the pre-collisional Paleozoic and Mesozoic sedimentary and metasedimentary rocks of the Northern Deformed Fold and Thrust Belt and post collisional folded Miocene foreland basin deposits in its footwall. The Salt Range Thrust (SRT):- SRT encapsulates southern edge of Salt range separating the Jhelum and the Indus rivers. SRT terminates in the west against Kalabagh fault and its eastern termination is near the right bank of Jhelum river. Chaman Fault:- The Chaman Fault is a real, dynamic geographical blame in Pakistan and Afghanistan that runs in excess of 850 km. Tectonically, it is really an arrangement of related geologic blames that divides the Eurasian Plate from the Indo-Australian Plate. It is a physical, essentially change, left-sidelong strike-slip deficiency. The slippage rate along the Chaman flaw framework as the Indo-Australian Plate moves northward (in respect to the Eurasian Plate) has been assessed at 10 mm/yr or more. Notwithstanding its essential change angle, the Chaman deficiency framework has a compressional segment as the Indian Plate is impacting the Eurasian Plate. This sort of plate limit is now and again called a transpressional limit. From the south, the Chaman shortcoming begins at the triple intersection where the Arabian Plate, the Eurasian Plate and the Indo-Australian Plate meet, which is just off the Makran Coast of Pakistan. The flaw tracks northeast crosswise over Balochistan and afterward north-northeast into Afghanistan, runs just to the west of Kabul, and after that northeastward over the right-horizontal slip Herat deficiency, up to where it blends with the Pamir shortcoming framework north of the 38 º parallel. The Ghazaband and Ornach-Nal flaws are regularly included as a feature of the Chaman issue framework. South of the triple intersection, where the deficiency zone lies undersea and stretches out southwest to give or take 10 ºn 57 ºe, it is known as the Owen Fracture Zone. While there is general understanding that the shortcoming is slipping at a rate of no less than 10 mm/yr, there is a report of volcanic shakes in Pakistan dated to 2 m.y. BP which have been balanced, for example, to show a slip rate of 25–35 mm/yr. Balances have been depicted all through the flaw in Pakistan that are adolescent enough that just the alluvium of the base of dynamic dry washes is not removed. The parallel mountain scopes of eastern Balochistan, (east to west) the Kirthar Mountains, the Khude Mountains, the Zarro Mountains, the Pab Mountains and the Mor Mountains, are a consequence of the compressional plate limit and are adjusted parallel to the Chaman deficiency development. The issue itself is west of these ex Minor Thrust Faults of Pakistan:- Some of the minor faults of Pakistan are as follows Margalla Fault:- It is a critical shortcoming, which runs along NE-SW course and joins the principle limit pushed (MBT) in the Hazara-Kashmir syntaxial zone. It passes north of Islamabad on the southern piedmont inclines of the Margalla Hills. As a consequence of this blame, the Datta development and the Samanasuk limestone are thrusted over the Lockhart limestone. There is no record or evidence of any late development along the Margalla shortcoming. Punjal Thrust:- Punjal push Fault is a noteworthy dynamic tectonic normal for some territorial significance. It likewise included a few fragments. This flaw meets the Khairabad shortcoming arranged on Northern Attock Cherat range. That is why, it is otherwise called Punjal- Khairabad push. Kalabagh fault:- It is a noticeable right-sidelong strike-slip issue which stretches out between Kalabagh and Mianwali. It truncates at the western edge of the Salt Range. Kurram Fault:- Kurram Thrust is a NNE-WSW inclining north-ward dipping dynamic tectonic peculiarity dividing the Kakar Khorsan Flysh bowl in the north and the west from Bela Ophiolite pushed and fold sash in the east and south. Sulaiman Range Fault:- In Sulaiman range, two left-parallel wrench faults eastern and western edge of the extent have been distinguished. On the eastern side, two faults constitute a left-parallel deficiency framework having Chaudhan fault and Domanda fault. On the western side, there are three N-S trending faults constituting a left-sidelong blame framework. These shortcomings involve Thakht-e- Sulaiman fault, Manikhawa shortcoming fault, and Moghulkot fault. Kirthar Fault:- Kirthar fault is very much a quite prominent N-S inclining lineament on the satellite symbolism. Kirthar fault alongside the other N-S inclining en-chelon fault of the Kirthar reach front and foothills are considered seismically dynamic. Various earthquake epicenters are spotted in this area, which have been connected with this fault. Ghazaband Fault:- Orientation of this fault is NE-SW, which is located within the vicinity of Ghazaband Pass Kirdgap region. At some points the fault is concealed under the alluvium. In Southward it combines with Chaman/Oranch-Nal transform fault system. Pab Fault The trend of Pab fault is NE-SW that is found along the western boundary of Khude fold belt. Pab thrust is positive seismically and is located N-W of the Karachi. Hoshab Fault Hoshab shortcoming is one of numerous significant push shortcomings which partition the Makran locale into a number of push bound pieces. Hoshab deficiency is arranged in the Makan union zone, which is a strongly distorted, east-west inclining overlap and push sash. This shortcoming has an circular segment shape having east-west inclining close to the Nasirabad and Hoshab zones, however eastward it swings to the north-east until it runs parallel to Mashkai rud. Nai Rud Fault It is one of the active thrust faults .It is trending E-W and found within the vicinity of fold and thrust belts, pertaining to the Makran convergence zone Nai-Rud fault has a  NE-SW trending, runs parallel to the Nai Rud valley and bears the left-lateral strike-slip component. Run of Kutch Fault:- Run of Kutch is a dynamic deficiency of territorial degree having an east-west direction. The  augmentations of this fault in the east as well as the west may be, actually, not all that overall characterized. On the other hand, two essential conceivable outcomes have been recommended as such; for east ward expansion, either blame reaches out along the hub of the incredible Run of Kutch or it stretches out to 50 km east of post Sidry, where it bends North-east-ward to take after the geomorphic limit between the Thar desert and the extraordinary Run of Kutch. It is seismically dynamic, which is apparent by a few major and minor quakes related to this local tectonic limit. References:- Geology and tectonics of Pakistan 1997 by A. H. Kazmi and M. Q. Jan http://en.wikipedia.org/wiki/Main_Central_Thrust http://prr.hec.gov.pk/Chapters/1486S-5.pdf http://en.wikipedia.org/wiki/Chaman_Fault http://www.geo.arizona.edu/geo5xx/geo527/Himalayas/geology.html

Natalie Goldberg’s Long Quiet Highway: Waking Up in America Essay

Natalie Goldberg’s Long Quiet Highway: Waking Up in America â€Å"I don’t think fate is a creature, or a lady, like some people say. It’s a tide of events sweeping us along. But I’m not a Fatalist, because I believe you can swim against it, and sometimes grasp the hands of the clock face and steal a few precious minutes. If you don’t you’re just cartwheeled along. Before you know it, the magic opportunity is lost, and for the rest of your life it lingers on in that part of your mind which dreams the very best dreams—taunting and tantalizing you with what might have been.† (from the film Flirting, 1990) â€Å"Every moment is enormous, and it is all we have† (Goldberg xii). Natalie Goldberg offers her readers the opportunity to recognize the delicate nature of life and the importance of slowing down one’s life. In her autobiography, Long Quiet Highway: Waking Up in America, she invites readers to journey along her path to awakening in an effort as an author to â€Å"pass on her breath† (22). By capturing her message and holding it close to one’s heart, the reader grasps the essence of Goldberg’s message. It becomes clear that awakening can take on many forms and can be reached by different roads, but it is all centered on one goal: to go within oneself and find inner peace and understanding. Through her exploration of America, teaching, spirituality, impermanence, and writing, and through her writing style and language, Goldberg sends her readers along their own long, quiet highway. The main point one might gather from Goldberg’s discussion of America is that Americans need to slow down all aspects of their lives, need to take the small components of life and make them significant. Goldberg sees an impatience in Ame... ...er to her affectionately as simply Natalie. In fact, it seems strange to refer to her as merely the author of a narrative—she has most assuredly transmitted her being through her writing, most definitely made a connection. There are few times when she outwardly addresses the reader, so when she does, she calls attention to the importance of the event she is describing. â€Å"Understand,† she implores, causing the reader to sense the urgency and the great impact of what she is describing. When she describes Rinpoche as â€Å"fluid energy† (87), she wants readers to know this was really how she experienced him. Hers was a vital discovery, one of experiencing people. Natalie reaches readers. She cannot be disconnected from her work because hers is the breath we capture. Works Cited Goldberg, Natalie. Long Quiet Highway: Waking Up in America. New York: Bantam Books, 1993.

Afternoons by Philip Larkin Essay -- English Literature

Afternoons by Philip Larkin. A poem which reflects on the subject of marriage is 'Afternoons' by Philip Larkin. The poem deals with Larkin's view on young mothers watching their kids playing in a playground and on this he concludes that marrying young and having children young, lead to the mothers losing their identity and destiny. The techniques used by the poet such as theme, imagery and tone deepened my understanding of the issue. The structure of the poem is simple; there are three stanzas with eight lines in each. However, unlike every other poem by Larkin this layout has no direct meaning. The lines are unrhymed. The first stanza deals with Larkin's rather cynical view of marriage and deals with the idea that the young mothers are isolated. Larkin's brilliant use of language emphasis the recurring theme of emptiness within the young mothers and how regimented their lives have become; 'In the hollows of afternoons' and 'young mothers assemble'. In the second stanza Larkin moves from the general view into the individual and describes the mother as belonging to a middle class background. Their husbands are described as working in 'skilled trades' and being 'behind them'. The husbands are not literally standing behind the women but are metaphorically. They provide support financially, emotionally and phycologically. On a closer inspection of the poem we realise Larkin has taken an everyday situation and made a universal message out of it. The image of the mothers life being dull is further emphasised when Larkin describes the 'Wedding Album' being near the television. This image suggests that the televsion is more of a central concern in the couples lives rather than their marriage vows etc. ... ...heir identity and are dominated by responsibility, they have lost control of what is truly their own. 'something is pushing them to the side of their lives'. The poem 'Afternoons' by Philip Larkin made me think considerably about having children young especially at my age, 17. The idea that Larkin portrays, that young parents, in particular young mothers lose control of their lives as soon as they have a child. Personally I believe that Larkin's message is made more effective and memorable because he tells it in a very simplistic manner in which the reader can clearly understand. However, Larkin likes the reader to be challenged and tells his ideas via a very implicit manner. His use of theme, imagery and tone deepened my understanding of the issue and I believe the poem provides a great thinking point to any young teenagers considering having children.

Bonnie and Clyde: Beginning of a New Hollywood Era

BONNIE AND CLYDE : â€Å"Beginning of the New Hollywood Era. † Bonnie and Clyde is a 1967 American crime film about Bonnie Parker and Clyde Barrow, the criminal version of Romeo and Juliet, the true story of the most beloved yet infamous outlaws, robbers and convicts who journeyed the Central United States during the Great Depression. The film was directed by Arthur Penn, and stars Faye Dunaway as Bonnie Parker, and Warren Beatty as Clyde Barrow. Bonnie and Clyde is reckoned as one of the 60s' most talked-about, volatile, controversial crime/gangster films combining comedy, terror, love, and ferocious violence, and regarded as one of the first films of the New Hollywood era, in which it broke many taboos and was so popular amongst the younger generation. After its success, it encouraged other filmmakers to be more forward about presenting sex and violence in their films. The film was intended as a romantic and comic version of the violent gangster films of the 1930s, updated with modern filmmaking techniques. To begin with the film opens with a lap dissolve from a golden, old-style Warner Bros shield, grainy, unglamorous, blurry, sepia-toned snapshots of the Barrow and Parker families (at the time of Bonnie and Clyde's childhood) play on a black background, accompanied by the loud clicking sound of a camera shutter (The credit titles are interspersed with flashes of more semi-documentary, brownish-tinged pictures) to an extreme close up of Bonnie applying ruby red lipstick. The implication of the lap dissolve is that they will be linked in the film, and that love will be involved. The sound bridge also emphasis love, as the song concludes with the words â€Å"deep in the arms of love† and further links Clyde and Bonnie. So from the start, Penn introduces the love story as central to the film, and view everything that follows from within this framework. A subsequent pan right results in a close up of Bonnie reflected in a mirror, revealing her face and her styled hair. The camera does a clever little dance insuring that Dunaway shows plenty of skin without really revealing anything, as jagged jump cuts slice away whenever her motion within the rame threatens to bring her nudity across the line of acceptability. The medium shot that follows shows the water marks in the ceiling and wall of her low-income frame house, indicating her dire financial straits. When she she flings herself down on her bed, the bars both run diagonally across the screen and cast shadows across her face indicating for us the prison she feels she feels she’s in as she repeate dly strikes the cage surrounding her. Based on how she saw herself in the mirror, she clearly thinks she deserves better. The following close up (when she grabs the bars) and zoom into an extreme close up of her eyes reflects her torment. As the camera holds her face, we can see the resignation in her face as she turns to get dressed for work. Bonnie is trapped in a dead end life. By stressing this aspect of her life, Penn has us initially glimpse Bonnie in the best possible light. This scene also explains Bonnie’s following actions in two ways. First is that she understands exactly how Clyde must have felt in prison when they later meet, establishing an immediate bond between them. The second is that, when Clyde tells her that he cut off two of his toes to get out of a work detail, she believes him for the man of action he portrays himself to be , (â€Å"Boy, did you really do that. †). This compares favorably with her desire to rise above her own dull circumstance and take action within her own life. It's understandable then when Bonnie rides off in the car stolen by a man who has robbed a grocery store, who she has only known a few minutes (but has connected with emotionally. ) The idea of a decent young woman in a dead end town working a dead end job during the Great Depression escaping with a convicted felon is made even more acceptable by the mise-en-scene and cinematography. The deep focus of the opening scene allows us to see her room humbly decorated with a small, vulgar collection of porcelain figurines and a rag doll, and a few family photographs are tacked on the drab wall. These details allow us to see Bonnie as an ordinary person. Likewise, Clyde is portrayed as a clean cut gentleman with white fedora hat, white shirt, and tie and jacket, and a bright white smile. His jacket, a warm brown earthy brown, softens any inclinations we may have of him as a criminal after Bonnie catches him about to steal her mother’s car. The mise-en-scene on the long tracking shot down an empty Main Street (except for one elderly Negro sitting on a bench in front of the barber shop) in the small, rural, Southwest Texas town allows us to connect the hard times and limited opportunities (boarded up stores) that surround Bonnie and Clyde and then a close-up of Clyde’s face. Clyde’s mouth is dominated by objects, like the Coke bottle and the match, which demonstrate his confidence. Perhaps, a close-up shot is used instead of the standard wide shot is to emphasize this aspect of Clyde’s personality. When Bonnie rubs the tip of the bottle of coke across her lips and flicks her tongue in her mouth as she watches Clyde gulped his and smiles, the shot is closed-up to emphasize Bonnie’s sexual curiousity. In a longer shot, Bonnie both turns aways from Clyde, but then turns back toward him in order to give him another opportunity to prove his violence, Clyde pulled out his gun and clandestinely showing it to her. The wide shot allows this action to play out on screen – both her change in attitude as well as his last effort. The wide shot also manages to obstruct the gun from the audience’s view by not showing it in close-up until later. From this still frame, it’s even difficult to see what the object that he pulls from his pocket is exactly. Then, a quick close-up of Bonnie’s face presents her intrigue at seeing Clyde’s gun. to a close-up of Clyde’s gun as he holds it at his waist and points it in her direction. The Coke bottles are now put away and missing from the last couple close-ups as their relationship moves onto the next stage. The establishing shot of the main street in town introduces the flat, empty, barren country all around them. After Clyde robs the grocery store and during their first escape in the stolen car, the scenes are pretty much rough cuts of Bonnie smothering Clyde with hugs and kisses as they careen down the dusty country road. During the hurried getaway, banjo music by Lester Flatt and Earl Scruggs (â€Å"Foggy Mountain Breakdown†) plays on the soundtrack – theme music that accompanies their escapes. This piece of music later will be repeated in lots of scenes. In the end of the clip, We’ll be introduced to the us-against the world theme, where Bonnie and Clyde engaged in a rather serious conversation where after Clyde diverting her physical arousal, entices Bonnie into a glamorous life with his own unrealistic, ignorant and childish fantasies of freedom, wealth and fame. He encourages her to think of him as the answer to her dreams – they could make history together. The fact is, on the whole, Bonnie and Clyde is driven by the quality of its performances, by the multiple layers and nuances these actors bring to their legendary characters. Most of the characters are portrayed as accurately as possible, however, it seems like the life of Bonnie and Clyde were simplified and exaggerated in the film, in order to keep the film exciting and also convey the emotions and ideas that scenes are trying to get across. Like in the scene when Bonnie first realizes that Clyde isn’t much a â€Å"loverboy†, it pours out loads of bullshits about how Clyde, nevertheless, saw something special in Bonnie, which Bonnie buys it, when if you’re realistic enough considering her insecurity and desperation to escape her small town ennui, but the director seems to expect the audience to buy it as well, to see this tale as a Hollywood tragic love story. And of course in the end, this is an exceedingly shocking film, that brings tragedy full circle, all that more affecting with the disarming comedy, which always seemed to intensify the serious tone. However, overall, Bonnie and Clyde has succeeded as one of the first films to bring a new, tougher sensibility to mainstream Hollywood filmmaking, a sensibility that would come to define the new American cinema as the 60s transitioned into the 70s. It is an openly violent and sexualized vision of the famous criminal couple, testing the boundaries of screen representation. And that’s pretty much the time when we say hello to the New Hollywood Era.